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Redefining Whistling as a medium for Indian Classical Music through the Carnatic Tradition.

About 
Arun  Perunkolam

Carnatic Whistle Artist

I grew up learning Carnatic vocal music and became fascinated by the smallest details - the way a phrase moves, the emotion inside a raga, and the subtle nuances that make each note come alive.

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At some point, I found myself wondering:

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Could a Whistle carry the same depth and expression as a classical voice?

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That question stayed with me.

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What began as curiosity slowly became a journey of experimenting, practicing, and discovering how Carnatic music could find a new voice through whistling. Over the years, I explored how vocal phrases, gamakas, and the expressive nuances of Carnatic music could be translated into this unconventional medium.

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Today, my work is centered around a simple idea:

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To explore how whistling can become a meaningful medium for Indian classical music while staying true to the depth, discipline, and beauty of the Carnatic tradition.

About

Collaborations  and Featured  Reels

Collab

Ambi Subramaniam × Arun Perunkolam

Violin × Carnatic Whistling

Kalidas Menon × Arun Perunkolam

Electric Guitar × Carnatic Whistling

Indian Raga × Arun Perunkolam

Vocalists × Carnatic Whistling

Nikita Iyer × Arun Perunkolam

Indian Classical Dance × Carnatic Whistling

Media

Press & Media

Reactions

Reactions

From Listeners (Selected Reactions)

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From Fellow Musicians

Shashwat Sachdev (Dhurandhar Music Composer) Reposted Arun’s Carnatic Whistle version of Phir Se.

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Sai Vignesh (Kantara Playback Vocalist) reacted to Arun’s Carnatic Whistle rendition of Kantara.

Let's Connect

Have an idea, collaboration, or just want to talk music?
 
Email → arunperunkolam@gmail.com
Instagram → @arunperunkolam

Connect
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